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Where's Regis when you need him?


By Edward Copeland
It's not exactly writer's block, but sometimes there are films, films that I think are fine, even good, that I just can't think of much to say about. However, they are important in the current award universe so I feel compelled to comment upon them. So please, bear with me, as I struggle to find things to say about Slumdog Millionaire.


Now, this inability to come up with much insightful to say about Danny Boyle's film should not be a reflection upon the film itself. I liked Slumdog Millionaire. Do I think it is a great film? No. Do I think it is a good film? Yes. Part of this block may be sheer exhaustion on my part as I try to get back into the film blogging swing of things and my desire to cover all the majors may have finally overwhelmed my ability to accomplish such a task.

Frankly, looking back at my output over the past couple of weeks, even I'm impressed given the amount of pain I'm in and the fatigue from which I suffer. It was such a relief to watch Doubt knowing that Josh R had already covered that review for me. So, while this is hardly the most cohesive of reviews, I'm just going to list some thoughts about Slumdog I did have.

Is Danny Boyle the go-to director for scenes involving diving into shit-filled toilets? Did the owners of the Who Wants to Be a Millionaire franchise sign off on the depiction of the Indian version of their show as being corrupt? While I admire Boyle's attempt to try something different with subtitles, some still blend into the background and, more importantly, most are on screen too fleetingly to be read.

Finally, I get so tired of trying to sell young actors into supporting categories when they are so clearly leads. Dev Patel, despite the fact that other actors play his character at younger ages in flashbacks, dominates the movie from beginning to end and is most certainly the lead in the film. I wish I had more to say. Did I mention that I liked it?


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